“The Karate Kid and Why There is (or Can Be) Purpose Behind Everything That Happens” by Karem Barratt
by Chungkong Art
I’ve just finished watching the original version of The Karate Kid with my nine-year old, and as I watched, I had what Oprah Winfrey would call, an Aha! moment. Anyone who was child or teenager during the 80s and saw the movie, must surely remember those iconic scenes of “wax on, wax off.” But, for the benefit of our younger readers, I’ll describe them briefly.
Daniel asks Mr. Miyagi to teach him karate. Mr. Miyagi accepts, but only after both have enter a “sacred contract” in which Daniel basically commits to trusting his teacher. On the first day, Mr Miyagi asks Daniel to watch and wax his cars, doing a specific set of motions with his hands. This instruction is repeated during the following days, when the older man asks Daniel to sand the floor, paint the fence and paint the house.
On each occasion, Daniel protests. He feels that his methods are better and fasters and Mr. Miyagi’s make little sense. But, eventually he complies to the instructions -until the fourth day when our Daniel explodes in anger, as he feels lied to and tricked by the supposedly karate teacher. In one brilliant moment of extraordinary educational methodology, Mr. Miyagi shows Daniel how each hard, boring and senseless task has trained his body to respond automatically and turned the different actions into karate moves.Once Daniel grasp this, he’s fully engaged during the following lessons and he receives them with patience, harmony and dedication.
Now, I can hear some of you saying something like: “great! And what does all of this have to do with life’s purpose and events?” A lot, actually. “The Lord’s ways are mysterious,” is a well-known expression in the Christian tradition, to talk about “strange coincidences” or difficult moments for which we find no reason or explanation, and feel abandoned by the God of our understanding. Let’s imagine then that all of us are bit like the protagonist of the Karate Kid: each human is Daniel and the Divine is Mr. Miyagi.
Many spiritual traditions, particularly the modern ones, seem to agree that, like in the film, before coming to this physical realm, each one of us makes a contract or agreement to exploit some talents, pay some karmic debts, and go through some experiences -all for the spiritual growth of our soul. But just as Mr. Miyagi doesn’t give much explanations as to why the fence has to be painted on a certain way, the Divine, after designing our life curriculum (with, I believe, some of our input,) keeps this information away from us on an intellectual level. Why? No idea. But if I were to give a reason, I would say that for showmanship. To create an experience where insight can explode like fireworks on New Year’s Eve and make the lesson(s) truly unforgettable.
Allow me to explain. Daniel could have accepted all the instructions quietly and, eventually, understand how they related to Karate. Maybe Mr. Miyagi himself, or the girlfriend, or another karate student would have pointed out the association and Daniel would have had a mini “aha” moment. Yet, this information would be second-handed, not wisdom born from the depth of his true Self. But when Daniel loses his faith in his teacher, his mission and his work, lets out all his frustrations and fears, he goes through what has been called “the dark night of the soul:” a hard, painful, almost soul-destroying moment all spiritual walkers go through, that is a bit like having your skin ripped off to open a space for new one to grow. And once we see the dawn, that which we were, we are no more. The way we see ourselves, life and our relationship with the Divine changes forever.
We still may not have all the answers, but we now live in the knowledge that there is purpose in all that happens, and if we are diligent students, we will look for and assimilate the lessons. We still have to struggle on in our spiritual studies, but now we are supported by our inner faith in the Spirit we have come to understand. We will get hit and we will get hurt (see poor Daniel’s state at the end of the film) but now we know we are not alone, that the Goddess heals, the God guides, that Deity is with us, holding us, yes, but also suffering and feeling with us, while at the same times it’s cheering us, being both hammer and nail, as it mould us into the precious piece of jewellery, the work of art, the masterpiece we were born to be. And at the end, in a sublime moment of true communion, we see the Divine with the eyes of our soul, half smiling, half crying, and we say: “we did it Mr. Miyagi! We did it!”